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BPC041 - DEUTSCHafter recent releases on bpitch control like the remixes of “stadtkind“ (bpc030) and her contribution to the bpitch control “berlin 2001 compilation“ (bpc031), it is now time for her to present us her sophisticated new musical vision.
with her new maxi “erdbeermund“ ellen allien offers a new alternative to define straight elechtech. with broken beats, which come together with catchy vocals, she leads us self-assured on this path in a new direction: the reflections of her musical input over the last months on a solid technoid basis. the lyrics “erdbeeren in meinem mund“ is moreover to be understood as a homage to the last warm days of the year.
“schnitt“ can be considered in the following as ellen allien’s reflection on the club as an institution and the ever changing structures of techno music within. the weird sound scenery, playing with ones listening habits and breaking them up, is the first stage on the path which leads to abstract electronic sounds. tight beats mix with wild sounds and then comes the break...
“kuss“ is the title. the track itself sounds like an expressionist painting that has its central theme in its winding scenes and breaks.
with “kuss“ and “kuss instrumental“ ellen allien is turning herself to abstract intelligent dance music (idm). you’ll have to admit that she has a feeling for current musical tendencies in her musical language. all in all a wonderful record full of joyful surprises.
“operate all mechanism! i am godzilla bass member of perfume sword fighting-beats maniacs. i walk on orbital legs, heavy pregnant with ultra low reverb action. play game with me, feel mighty eartquake inside deepest stomach. boom! boom! boom! together we destroy all lesser-known monsters of music!” (jeff noon, pixel juice) |
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BPC041 - ENGLISHafter recent releases on bpitch control like the remixes of “stadtkind“ (bpc030) and her contribution to the bpitch control “berlin 2001 compilation“ (bpc031), it is now time for her to present us her sophisticated new musical vision.
with her new maxi “erdbeermund“ ellen allien offers a new alternative to define straight elechtech. with broken beats, which come together with catchy vocals, she leads us self-assured on this path in a new direction: the reflections of her musical input over the last months on a solid technoid basis. the lyrics “erdbeeren in meinem mund“ is moreover to be understood as a homage to the last warm days of the year.
“schnitt“ can be considered in the following as ellen allien’s reflection on the club as an institution and the ever changing structures of techno music within. the weird sound scenery, playing with ones listening habits and breaking them up, is the first stage on the path which leads to abstract electronic sounds. tight beats mix with wild sounds and then comes the break...
“kuss“ is the title. the track itself sounds like an expressionist painting that has its central theme in its winding scenes and breaks.
with “kuss“ and “kuss instrumental“ ellen allien is turning herself to abstract intelligent dance music (idm). you’ll have to admit that she has a feeling for current musical tendencies in her musical language. all in all a wonderful record full of joyful surprises.
“operate all mechanism! i am godzilla bass member of perfume sword fighting-beats maniacs. i walk on orbital legs, heavy pregnant with ultra low reverb action. play game with me, feel mighty eartquake inside deepest stomach. boom! boom! boom! together we destroy all lesser-known monsters of music!” (jeff noon, pixel juice) |
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